Those men and women are posing as ancient statues that have lost their classicism, are placed in natural positions, uninhibited, spontaneous.
The figures are in an unstable equilibrium, the deformation of the faces, the fragments with traces of contemporary, high heels red us back to the ambiguity of our time. On the one hand the exaltation of the body, the other the destruction of thought, the brutalization of the minds.
The unfinished or rather the destruction of the face, is opposed to the body parts embellished and decorated with icons of modern life that are like an earthly bark from which the figures are not yet fully paid. E 'on the opposite side of the image in its duplicity irreverent and transformed, in his deformed appearance, to be sought the meaning.
The double square, white and black, the image and its spot, become the culmination of a process of formation of the artists, they also double, they also tormented by the ambiguity of their feeling, by the contrast between seriousness and irony that pervades and accompanies all their work.
Fits in Rorschach 000 MG aesthetic balance, the meaning and the form does not dissociate, but instead they connect or even better co-exist in the same condition and aesthetic semasiologica. "

                                                    PETER LUKAS